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那不勒斯四部曲NO.1:我的天才女友

埃莱娜·费兰特 / 人民文学出版社 / 2017-01-01 /
只有你身为女人才会知道这些丑陋的秘密 两个女人,50年的友谊和战争 过去五年,几乎所有欧美读者都在谈论她、 全球畅销百万册 被翻译成40种语言 《金融时报》2015年度女性 2016《时代》周刊“世界最有影响力的100人” 希拉里·克林顿、 乔纳森·弗兰岑、詹姆斯·伍德、詹姆斯·弗兰科都是她的粉丝 ---------------------- 《我的天才女友》是埃莱娜·费兰特“那不勒斯四部曲”的第一部,讲述了两个女主人公莉拉和埃莱娜的少女时代。故事一开始,已经功成名就的埃莱娜接到莉拉儿子里诺的电话,说他母亲彻底消失了。埃莱娜想起莉拉对自己命运的预言,于是她写下她们一生的故事…… 莉拉和埃莱娜一起成长于那不勒斯一个破败的社区,从小形影不离,彼此信赖,但又都视对方为自己隐秘的镜子,暗暗角力。 莉拉聪明,漂亮。她可以毫不畏惧地和欺凌自己的男生对质,也可以去找人人惧怕的阿奇勒﹒卡拉奇要回被他夺走的玩具;埃莱娜既羡慕莉拉的学习天赋和超人的决断力,又一直暗暗模仿莉拉。 家人不支持莉拉继续求学,因此她到父亲和兄长苦苦维持的修鞋店帮工,又面临几个纨绔子弟的追求。埃莱娜则怀着对朋友的关爱、嫉妒和理解,独自继续学业,却始终无法面对和莉拉竞争的失落。 最终,十六岁的莉拉决定嫁给肉食店老板,但在婚宴上,她发现了丈夫的背叛。而埃莱娜也站在成人世界的入口,既为前途担忧,也因对思想前卫的尼诺产生朦胧好感而彷徨。 ---------------------- 名家评论 费兰特将两个贫穷的都市女孩之间的爱、分离和重逢,铸造成她们居住的那个城市的悲剧。 ——《纽约时报》 埃莱娜·格雷科是一个幸存者,她必须从那些依附和挣脱的戏剧冲突中,让自己幸存下来。她带着一种幸存者的羞愧,就好像她是从莉拉的宝库盗取了对财富的允诺。 ——《纽约客》 和索福克勒斯或者奥维德一样,费兰特处理的也是命运的问题。莉拉是一个造物主,一个神话般的人物。 ——《大西洋月刊》 焦虑、疲惫、女性经期……费兰特探索了所有我们恐惧的题材。费兰特笔下的女人们切肤地体验了被抛弃、不公和汹涌的情感——这些不再是被当作弱点、而被作为一种事实来看待。 ——《新共和》 和卡夫卡一样,费兰特将她的主人公的内心世界揭露得一览无余。 ——《卫报》 《我的天才女友》是一部单声道(而非双声道)的成长小说;我们从很早就意识到,莉拉还困在自己的世界里,而作者,埃莱娜则会挣脱那个世界。 ——《泰晤士文学增刊》

投资者的敌人

朱 宁 / 中信出版社 / 2014-02-01 /
投资是一门技术,更是心理较量。“投资者必须掌控自己的冲动,洞察他人的冲动”,诺贝尔经济学奖得主罗伯特·席勒在本书的序言中如是说。 投资思维方式与日常思维方式不同,它要求投资者既活在当下,又活在未来。投资者必须时刻察觉自己内心的细微变化,在这两种思维方式之间自如地切换;如此,才能将投资者最大的敌人——贪婪和恐惧,化为积极的力量。 本书通俗易读,通过大量发生在国内外金融市场的典型实例、生动故事,及有说服力的数据,解释了许多令人困惑的金融现象,揭示了金融学的一般原理,并提出了许多专业投资者和散户投资者在实践中都应该予以认真考虑的建议。 作者运用行为金融学理论,梳理呈现了投资与心理的关系,深入分析了投资者的敌人:不安分的心态、不分散的组合、不淡定的择时、不明智的选股、不给力的基金、不理性的大脑等等。作者进一步展示,个人投资者常犯的心理错误如何在企业高管、机构投资者和政府身上成倍放大,从而造成更惨重的损失。 不懂投资心理学,不知投资者的敌人,投资时需谨慎。

大王饶命

会说话的肘子 / 起点中文网 / 2018-07-01 /
《大王饶命》是一部连载于起点中文网的都市小说[1],作者是会说话的肘子。本书讲述的是主角吕树依靠毒鸡汤成为大魔王的故事。

Daily Rituals How Artists Work

Mason Currey / Knopf / 2013-04-23 /
Franz Kafka, frustrated with his living quarters and day job, wrote in a letter to Felice Bauer in 1912, “time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible then one must try to wriggle through by subtle maneuvers.”Kafka is one of 161 inspired—and inspiring—minds, among them, novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians, who describe how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”. . . Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day . . . Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.”Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books . . . Karl Marx . . . Woody Allen . . . Agatha Christie . . . George Balanchine, who did most of his work while ironing . . . Leo Tolstoy . . . Charles Dickens . . . Pablo Picasso . . . George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers . . .Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).Brilliantly compiled and edited, and filled with detail and anecdote, Daily Rituals is irresistible, addictive, magically inspiring.

妩媚

佚名 / None / 1990-01-01 /

Tuesdays with Morrie: an old man, a young man, and life’s greatest lesson

Mitch Albom / Doubleday & Company, Incorporated / 1997-05-29 /
Maybe it was a grandparent, or a teacher. Someone older who understood you when you were young and searching, who helped you see the world as a more profound place, and gave you advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago. Maybe, like Mitch, you lost track of your mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn’t you like to see that person again, ask the bigger questions that still haunt you? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man’s life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Tuesdays With Morrie is a magical chronicle of their time together, through which Mitch shares Morrie’s lasting gift to the world.

侏儒的话

芥川龙之介 / None / 1990-01-01 /

世界是平的:21世纪简史

托马斯·弗里德曼 / ixdzs.com / 2016-01-04 /
世界是平的:21世纪简史

你的误区

韦恩.W.戴尔 / 群言出版社 / 2013-09-25 /
自我挫败行为及其解脱办法是令人感到头痛的领域。但是,“精神愉快”并不是一件复杂的事情,要实现这一点是我们每个人力所能及的。一个人只要将刻苦勤奋、合乎逻辑的思维、幽默感和自信心等品质集于一身,他便可以真正地生活。本书从几个主要方面介绍了保持精神愉快的思维方法,每一章都像一次心理询诊,详细论述了一个误区,即一种自我挫败行为,同时对这种行为的事例加以研究。在初步了解每个误区的行为之后,接着分析有些人之所以坚持使自己精神不愉快的原因。一旦消除了这些原因,你也就根除了自己的误区。每章结尾都论述到如何消除这些自我贬低行为的简易方法。. 本书自始至终都强调做出选择和生活于现在这两点。即先根据你已做出的或未能做出的选择审视一下你的生活;以及从现在做起,这是消除误区、创造幸福的重要步骤。仔细阅读之后,你会很快给自己提出某些过去从未想过的问题:“我现在为什么要自寻烦恼?”“我怎样才能更为有效地利用现在的时光?”从而成为逐步摆脱误区、走向自我依靠和幸福的人。

态度

吴军 著 / 中信出版社 / 2018-10-17 /