William Morrow出版的书籍, 共5条结果
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The Fireman: A Novel

Joe Hill / William Morrow / 2016-05-16 /
From the award-winning, New York Times bestselling author of NOS4A2 and Heart-Shaped Box comes a chilling novel about a worldwide pandemic of spontaneous combustion that threatens to reduce civilization to ashes and a band of improbable heroes who battle to save it, led by one powerful and enigmatic man known as the Fireman.The fireman is coming. Stay cool.No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it’s Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies—before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.Harper Grayson, a compassionate, dedicated nurse as pragmatic as Mary Poppins, treated hundreds of infected patients before her hospital burned to the ground. Now she’s discovered the telltale gold-flecked marks on her skin. When the outbreak first began, she and her husband, Jakob, had made a pact: they would take matters into their own hands if they became infected. To Jakob’s dismay, Harper wants to live—at least until the fetus she is carrying comes to term. At the hospital, she witnessed infected mothers give birth to healthy babies and believes hers will be fine too. . . if she can live long enough to deliver the child.Convinced that his do-gooding wife has made him sick, Jakob becomes unhinged, and eventually abandons her as their placid New England community collapses in terror. The chaos gives rise to ruthless Cremation Squads—armed, self-appointed posses roaming the streets and woods to exterminate those who they believe carry the spore. But Harper isn’t as alone as she fears: a mysterious and compelling stranger she briefly met at the hospital, a man in a dirty yellow fire fighter’s jacket, carrying a hooked iron bar, straddles the abyss between insanity and death. Known as The Fireman, he strolls the ruins of New Hampshire, a madman afflicted with Dragonscale who has learned to control the fire within himself, using it as a shield to protect the hunted . . . and as a weapon to avenge the wronged.In the desperate season to come, as the world burns out of control, Harper must learn the Fireman’s secrets before her life—and that of her unborn child—goes up in smoke.**Amazon.com ReviewAn Amazon Best Book of May 2016: I admit, when I hit a saggy part in a story, I do skip ahead to see if the plot will pick up again. At no point in Joe Hill’s doorstop-weight novel did I have that urge, for each and every page had me entranced. Set in New Hampshire right about now, The Fireman opens with a man spontaneously combusting outside the office of school nurse Harper Grayson. He’s not the first victim of Draco incendia trychophyton, the spore responsible for this transformation, but he’s the signal that Dragonscale has spread to Harper’s small town. It also spreads to Harper soon after she realizes she’s pregnant. Highly contagious and 100 percent fatal, Dragonscale soon plunges the world into chaos. (An oddly affective moment is when Harper logs onto Google and finds, instead of the search engine, the words “Goodby.”) But Hill smartly focuses on Harper and her attempts at survival, keeping the stakes small but extremely personal as the uninfected hunt down and murder the infected, supposedly to protect the rest of the town but really to indulge in sociopathic tendencies now unleashed. The Fireman starts with a hot burn, simmers as Harper joins a group of infected hiding in a summer camp, and then heats up again as the near-utopian community ruptures. Hill weaves questions about the power of leadership, group-think, love, catastrophe, and family into the plot. His smartest move is to give no clear-cut answers to these questions, making The Fireman more substantial and real than a typical apocalyptic thriller. And his humdinger of an ending provides just the right closure. --Adrian LiangReview“[A] superb supernatural thriller . . . a tremendous, heartrending epic of bravery and love set in a fully realized and terrifying apocalyptic world, where hope lies in the simplest of gestures and the fullest of hearts.” (Publishers Weekly (starred review) on THE FIRMAN) “Hill has a talent for depicting fascinating characters caught in terrible situations. . . . With a full cast of characters and multiple story lines to keep the reader hooked, Hill’s enthralling fourth thriller hits another home run.” (Library Journal (starred review) on THE FIREMAN) “Joe Hill has always been good, but he’s created something incandescent here, soaring and original. He’s a master storyteller who writes with fire in his veins.” (Lauren Beukes, author of BROKEN MONSTERS on THE FIREMAN) “Fascinating and utterly engaging, this novel is sure to leave readers wanting more. One thing is for certain, however. After reading this book, readers will never hear Christmas carols in quite the same way again.” (Library Journal (starred review) on NOS4A2) “[An] undeniably readable work.” (Booklist (starred review) on NOS4A2) “Read it with the lights on and your children locked in a closet.” (BookRiot.com on NOS4A2) [Hill]’s got horror down pat, and his debut is hair-raising fun.” (Kirkus on HEART-SHAPED BOX) “[A] wrenching and effective ghost story . . . reads like good, early King mixed with some of the edgier splatterpunk sensibilities of David J. Schow . . . [HEART-SHAPED BOX] has genuinely touching emotional moments as well as action-packed confrontations with the dead.” (Library Journal (starred review) on HEART-SHAPED BOX) “A genuinely scary novel filled with people you care about; the kind of book that still stays in your mind after you’ve turned over the final page. I loved it unreservedly.” (Neil Gaiman, author of THE OCEAN AT THE END OF THE LANE on HEART-SHAPED BOX) “[HORNS is] a creepy murder mystery, a tragic love triangle, and a sweetly wistful coming-of-age story. It’s the kind of book that has you laughing on one page, crying on another and making sure the doors and windows are safely locked on a third.” (Miami Herald on HORNS) “[Horns is] devilishly good. . . . Hill is a terrific writer with a great imagination. He has a special talent for taking us and his characters to very weird places.” (USA Today on HORNS)

The Night Eternal

Guillermo del Toro, Chuck Hogan / William Morrow / 2011-10-13 /
It’s been two years since the vampiric virus was unleashed in The Strain, and the entire world now lies on the brink of annihilation. There is only night as nuclear winter blankets the land, the sun filtering through the poisoned atmosphere for two hours each day—the perfect environment for the propagation of vampires.There has been a mass extermination of humans, the best and the brightest, the wealthy and the influential, orchestrated by the Master—an ancient vampire possessed of unparalleled powers—who selects survivors based on compliance. Those humans who remain are entirely subjugated, interred in camps, and separated by status: those who breed more humans, and those who are bled for the sustenance of the Master’s vast army. The future of humankind lies in the hands of a ragtag band of freedom fighters—Dr. Eph Goodweather, former head of the Centers for Disease Control’s biological threats team; Dr. Nora Martinez, a fellow doctor with a talent for dispatching the undead; Vasiliy Fet, the colorful Russian exterminator; and Mr. Quinlan, the half-breed offspring of the Master who is bent on revenge. It’s their job to rescue Eph’s son, Zack, and overturn this devastating new world order. But good and evil are malleable terms now, and the Master is most skilled at preying on the weaknesses of humans. Now, at this critical hour, there is evidence of a traitor in their midst. . . . And only one man holds the answer to the Master’s demise, but is he one who can be trusted with the fate of the world? And who among them will pay the ultimate sacrifice—so that others may be saved?

The Fall

Guillermo del Toro, Chuck Hogan / William Morrow / 2010-05-22 /
SUMMARY: From the authors of the instant New York Times bestseller The Strain comes the next volume in one of the most imaginative and frightening thriller series in many, many years Last week they invaded Manhattan. This week they will destroy the world. The vampiric virus unleashed in The Strain has taken over New York City. It is spreading and soon will envelop the globe. Amid the chaos, Eph Goodweather—head of the Centers for Disease Control's team—leads a band out to stop these bloodthirsty monsters. But it may be too late. Ignited by the Master's horrific plan, a war erupts between Old and New World vampires, each vying for control. At the center of the conflict lies a book, an ancient text that contains the vampires' entire history . . . and their darkest secrets. Whoever finds the book can control the outcome of the war and, ultimately, the fate of us all. And it is between these warring forces that humans—powerless and vulnerable—find themselves no longer the consumers but the consumed. Though Eph understands the vampiric plague better than anyone, even he cannot protect those he loves. His ex-wife, Kelly, has been transformed into a bloodcrazed creature of the night, and now she stalks the city looking for her chance to reclaim her Dear One: Zack, Eph's young son. With the future of humankind in the balance, Eph and his team, guided by the brilliant former professor and Holocaust survivor Abraham Setrakian and exterminator Vasiliy Fet and joined by a crew of ragtag gangsters, must combat a terror whose ultimate plan is more terrible than anyone has imagined—a fate worse than annihilation. Amazon.com Review Product Description The vampiric virus unleashed in Ignited by the Master’s horrific plan, a war erupts between Old and New World vampires, each vying for total control. Caught between these warring forces, humans—powerless and vulnerable—are no longer the consumers, but the consumed. Though Eph understands the vampiric plague better than anyone, even he cannot protect those he loves from the invading evil. His ex-wife, Kelly, has been turned by the Master, and now she stalks the city, in the darkness, looking for her chance to reclaim Zack, Eph’s young son. With the future of the world in the balance, Eph and his courageous team, guided by the brilliant former professor and Holocaust survivor Abraham Setrakian and exterminator Vasiliy Fet, must combat a terror whose ultimate plan is more terrible than anyone first imagined—a fate worse than annihilation. A Q&A with Academy Award®-winner Guillermo Del Toro Q: You’ve written screenplays and directed numerous movies, to name a few of your many accomplishments. What motivated you to write a novel? Del Toro: Well, it’s a different challenge, but I've always written short stories and then, in my film work, storylines for movies (the storyline is a slightly "freer" form than screenplay writing) I have published some of my short stories in the past and it is my secret dream to write shivery tales for young readers. My favorite author in that sense is Q: You are one of the most extraordinarily imaginative and creative thinkers working in the arts today. What were some of the influences that have contributed to your success? Do you have any kind of a muse? Del Toro: Curiously enough I regularly draw more inspiration from painters and books than I do from other films. Painters like Carlos Schwabe, Odilon Redon, Fliecien Rops, Bocklin, Freud, Bacon, Thomas Cole and many others, never fail to excite me and in the book front there are just as many authors... Q: Many of your movies have centered on fantastical characters. Why did you choose to write your first novel about vampires? Del Toro: All of my life I’ve been fascinated by them but always from a Naturalist's point of view. Q: There are many stories, movies, and even a television show involving vampires. The Strain Trilogy uses the idea that vampires are a plague, and that the lead hunter is a scientist from the Centers for Disease Control. What was your inspiration for this twist? Del Toro: When I was a kid I loved Q: How did you and Chuck Hogan come together to write The Strain Trilogy? How does your collaboration work? Del Toro: It was a true collaboration. I had created a "bible" for the book. It contained most of the structural ideas and characters and Chuck then took his pass on it and invented new characters and ideas. Fet (one of my favorite characters) was completely invented by him. And then I did my pass, writing new chapters or heavily editing his pass, and then he did a pass on my pass and so on and so forth. This is the way I have co-written in the past. I loved Chuck's style and ideas from reading his books and I specifically wanted him as a partner because he had a strong sense of reality and had NEVER written a horror book. I knew we would complete each other in the creation of this book. What surprised me is that he came up with some gruesome moments all on his own! He revealed himself to be a rather disturbed man! A Q&A with Hammett Award-winner Chuck Hogan Q: What most surprised you about working with Guillermo Del Toro? Has working with him impacted your own work? In your former career as a video store clerk, did you ever in your wildest dreams imagine working on a project like this—with a legend like Del Toro? Hogan: I'd never co-authored anything, nor had I published a true work of horror before, and here I was embarking on an epic trilogy with a master of the genre. I probably should have been more intimidated--yet I felt an immediate kinship with the material, as well as true excitement at the challenge of bringing the story to life, both of which carried me through. Guillermo is a daunting first audience, and yet an incredibly generous collaborator. Not to mention an amazing resource: it's just fun to have to ask him a question—say, about why the vampires run hot instead of cold—know that, not only will he take me through their intricate biology, but he will embroider the account with corroborating examples from the field of entomology, marine life, and some arcane fact about the function of human blood platelets. Q:_ _ Hogan: Crime and horror are both genres of existentialism, and I am drawn to stories of man at his extremes, of people who find themselves tested, haunted, threatened. I believe a writer should challenge himself in his work just as he challenges the characters in his story—that anything less would be inauthentic and dishonest. What I love about The Strain is that the journey of the story takes this maxim and multiplies it by one thousand. From Publishers Weekly Set over the course of three intense weeks, Del Toro and Hogan's gripping second volume in their near-future vampire trilogy picks up where The Strain, the first volume, left off, as the undead, aided by elderly Eldritch Palmer, one of the world's three richest men, tighten their hold on the planet. Epidemiologists Ephraim Goodweather and Nora Martinez, Holocaust survivor Abraham Setrakian, and Vasiliy Fet, "New York City Bureau of Pest Control Services worker and independent exterminator," oppose the vampires (or strigoi), as they did in the first book. Setrakian pins his hopes for stopping the vampires on tracking down a 17th-century grimoire that describes the origins of their leaders, the Seven Original Ancients. Despite the story's essential grimness, the authors manage to inject some sardonic humor, even as the plot developments will leave readers wondering how the concluding book can possibly end well. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

The Strain

Guillermo del Toro; Chuck Hogan / William Morrow / 2009-06-02 /
SUMMARY: The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event. The Strain They have always been here. Vampires. In secret and in darkness. Waiting. Now their time has come. In one week, Manhattan will be gone. In one month, the country. In two months—the world. A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold. In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . . So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city—a city that includes his wife and son—before it is too late.

Superfreakonomics: global cooling, patriotic prostitutes, and why suicide bombers should buy life insurance

Steven D. Levitt; Stephen J. Dubner / William Morrow / 2009-10-08 /
EDITORIAL REVIEW: The *New York Times* bestselling *Freakonomics* was a worldwide sensation, selling more than four million copies in thirty-five languages and changing the way we look at the world. Steven D. Levitt and Stephen J. Dubner return with *Superfreakonomics*, and fans and newcomers alike will find that the *freak*quel is even bolder, funnier, and more surprising than the first. *SuperFreakonomics* challenges the way we think all over again, exploring the hidden side of everything with such questions as: How is a street prostitute like a department-store Santa? What do hurricanes, heart attacks, and highway deaths have in common? Can eating kangaroo save the planet? Levitt and Dubner mix smart thinking and great storytelling like no one else. By examining how people respond to incentives, they show the world for what it really is—good, bad, ugly, and, in the final analysis, super freaky. *Freakonomics* has been imitated many times over—but only now, with *SuperFreakonomics*, has it met its match.